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First collected in Italy in 1985, Art’s Claim to Truth is considered by many philosophers to be one of Gianni Vattimo’s most important works. Newly revised for English readers, the book begins with a challenge to Plato, Aristotle, Kant, and Hegel, who viewed art as a metaphysical aspect of reality rather than a futuristic anticipation of it. Following Martin Heidegger’s interpretation of the history of philosophy, Vattimo outlines the existential ontological conditions of aesthetics, paying particular attention to the works of Kandinsky, which reaffirm the ontological implications of art. Vattimo then builds on Hans-Georg Gadamer’s theory of aesthetics and provides an alternative to a rationalistic-positivistic criticism of art. This is the heart of Vattimo’s argument, and with it he demonstrates how hermeneutical philosophy reaffirms art’s ontological status and makes clear the importance of hermeneutics for aesthetic studies. In the book’s final section, Vattimo articulates the consequences of reclaiming the ontological status of aesthetics without its metaphysical implications, holding Aristotle’s concept of beauty responsible for the dissolution of metaphysics itself. In its direct engagement with the works of Gadamer, Heidegger, and Luigi Pareyson, Art’s Claim to Truth offers a better understanding of the work of Vattimo and a deeper knowledge of ontology, hermeneutics, and the philosophical examination of truth.
This is a digital product.
Additional ISBNs
0231138512, 0231138504, 9780231138512, 9780231138505
Art’s Claim to Truth is written by Gianni Vattimo and published by Columbia University Press. The Digital and eTextbook ISBNs for Art’s Claim to Truth are 9780231515665, 0231515669 and the print ISBNs are 9780231138505, 0231138504. Additional ISBNs for this eTextbook include 0231138512, 0231138504, 9780231138512, 9780231138505.
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