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The amusement parks which first appeared in England at the turn of the twentieth century represent a startlingly novel and complex phenomenon, combining fantasy architecture, new technology, ersatz danger, spectacle and consumption in a new mass experience. Though drawing on a diverse range of existing leisure practices, the particular entertainment formula they offered marked a radical departure in terms of visual, experiential and cultural meanings. The huge, socially mixed crowds that flocked to the new parks did so purely in the pursuit of pleasure, which the amusement parks commodified in exhilarating new guises. Between 1906 and 1939, nearly 40 major amusement parks operated across Britain. By the outbreak of the Second World War, millions of people visited these sites each year. The amusement park had become a defining element in the architectural psychological pleasurescape of Britain.
This book considers the relationship between popular modernity, pleasure and the amusement park landscape in Britain from 1900-1939. It argues that the amusement parks were understood as a new and distinct expression of modern times which redefined the concept of public pleasure for mass audiences. Focusing on three sites
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rong>The Architecture of Pleasure: British Amusement Parks 1900–1939 is written by Kane, Josephine, Dr and published by Routledge. The Digital and eTextbook ISBNs for The Architecture of Pleasure: British Amusement Parks 1900–1939 are 9781409470960, 1409470962 and the print ISBNs are 9781409410744, 1409410749. Save up to 80% versus print by going digital with VitalSource.
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