Delivery: Can be download immediately after purchasing. For new customer, we need process for verification from 30 mins to 12 hours.
Version: PDF/EPUB. If you need EPUB and MOBI Version, please contact us.
Compatible Devices: Can be read on any devices.
Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien’s scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.
This is a digital product.
Additional ISBNs
9780190460259
The Oxford Handbook of Sound and Imagination, Volume 2 1st Edition is written by Mark GrimshawAagaard; Mads WaltherHansen; Martin Knakkergaard and published by Oxford University Press. The Digital and eTextbook ISBNs for The Oxford Handbook of Sound and Imagination, Volume 2 are 9780190460266, 0190460261 and the print ISBNs are 9780190460242, 0190460245. Additional ISBNs for this eTextbook include 9780190460259.
Reviews
There are no reviews yet.