The Jazz Image: Seeing Music through Herman Leonard’s Photography eBook

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Typically, a photograph of a jazz musician has several formal prerequisites: black-and-white film, an urban setting in the mid-twentieth century, and a black man standing, playing, or sitting next to his instrument. That’s the jazz archetype that photography created. Author K. Heather Pinson discovers how such a steadfast script developed visually and what this convention meant for the music.

Album covers, magazines, books, documentaries, art photographs, posters, and various other visual extensions of popular culture formed the commonly held image of the jazz player. Through assimilation, there emerged a generalized composite of how mainstream jazz looked and sounded. Pinson evaluates representations of jazz musicians from 1945 to 1959, concentrating on the seminal role played by Herman Leonard (b. 1923). Leonard’s photographic depictions of African American jazz musicians in New York not only created a visual template of a black musician of the 1950s, but also became the standard configuration of the music’s neoclassical sound today. To discover how the image of the musician affected mainstream jazz, Pinson examines readings from critics, musicians, and educators, as well as interviews, musical scores, recordings, transcriptions, liner notes, and oral narratives.

This is a digital product.

The Jazz Image: Seeing Music through Herman Leonard’s Photography is written by K. Heather Pinson and published by University Press of Mississippi. The Digital and eTextbook ISBNs for The Jazz Image are 9781604734959, 1604734957 and the print ISBNs are 9781628460513, 1628460512. Additional ISBNs for this eTextbook include 9781604734942.