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This companion comprises essays that analyze interactions between art and global imperial relationships from 1800 to World War II. The essays in this volume expose and add to historical layers of meaning in their discussions of art and empire. Found across much of the globe, sites of sedimentary rock allegorize the dynamics of art and empire and frame the section structure for this book. Twenty‑two authors unpack imperial layers in a variety of global and historical contexts through case studies that center art and visual and material culture. The authors show how art and aesthetics have operated as tools of empire. Interpreting a comprehensive array of media as well as inter‑media dialogues, they analyze and intervene in how we remember and examine entwinements between empire and aesthetic practices. In this volume’s attention to the role of art in imperial formation, as well as the legacy of colonization, the essays disentangle sediments of culture as they are moved and shaped by homogenizing forces of empire, showing that the aesthetics of empire inflect not only individuals, makers, and economies, but also practices of circulation and collecting. The book will be of interest to graduate students, researchers, and professors and may be used in classes focused on art history, imperialism, and colonialism.
This is a digital product.
The Routledge Companion to Art and the Formation of Empire 1st Edition and published by Routledge. The Digital and eTextbook ISBNs for The Routledge Companion to Art and the Formation of Empire are 9781040343203, 1040343201 and the print ISBNs are 9781032540092, 1032540095. Additional ISBNs for this eTextbook include 9781040343142, 9781003414742.

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