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This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region, including Australia, Japan and Korea and 16 additional national entities who have had less continuous participation in this global art event. Analysing both the spatial and visual representation of contemporary art presented at the Venice Biennale and incorporating the politics behind national selections, this monograph provides insights into a range of important elements of the global art industry. Areas analysed include national cultural trends and strategies, the inversion of the peripheral to the centre stage of the Biennale, geopolitics in gaining exhibition space at the Venice Biennale, curatorial practices for contemporary art presentation and artistic trends that seek to deal with major economic, cultural, religious and environmental issues emerging from non-European art centres. This monograph will be of interest to scholars in art history, museum studies and Asia-Pacific cultural history.
This is a digital product.
The Venice Biennale and the Asia-Pacific in the Global Art World 1st Edition is written by Stephen Naylor and published by Routledge. The Digital and eTextbook ISBNs for The Venice Biennale and the Asia-Pacific in the Global Art World are 9781351062084, 1351062085 and the print ISBNs are 9780367499808, 0367499800. Additional ISBNs for this eTextbook include 9780367493073, 9781351062107, 9781351062091, 9781351062077, 9781138480780.

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